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Posted: Tue Jun 12, 2007 12:11 am Post subject: Best Monitor Calibration Tool |
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I just picked up a 23" Apple Cinema display and am considering getting
a monitor calibration tool. Any suggestions on what the best choices
are these days? Is the Spyder2 a good choice?
Thanks.
-Fleemo |
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Lee Blevins Guest
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Posted: Tue Jun 12, 2007 3:05 am Post subject: Re: Best Monitor Calibration Tool |
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<fleemo17@comcast.net> wrote:
| Quote: |
I just picked up a 23" Apple Cinema display and am considering getting
a monitor calibration tool. Any suggestions on what the best choices
are these days? Is the Spyder2 a good choice?
Thanks.
-Fleemo
|
I've never used one that worked. But my last experience was many years
ago.
For the device to work you'd have to replicate the surround that was
used when the scientists decided it worked.
Unfortunatley, they usually don't explain that in the documentation.
Today the monitors are so well made that you can download an icc profile
from the manufacturers and plug that in with a basic calibration and be
very good.
For me, I've been color correcting (dot etching) since before there were
macintoshes, scitexes and all the fun stuff we have now.
I've seen so many hairbrained schemes that a device will allow someone
who doesn't have a good eye/feel for color to make good color.
What one needs much more than the elusive "monitor that matches" is a
fundamental understanding of color reproduction and electronic imaging.
Here's are some things to ponder:
A) You're displaying a duotone made of an orange and yellow
PMS color. How accurate do you think it can be?
B) You're looking at a page in Indesign that has images from a wide
variety of color spaces -How well is that mapping working?
C) Do you even have a 5K viewer and proper environment where your
monitor is to compare a proof to your screen?
D) Where are you getting this proof that you think is worth comparing
to and how was it made?
There is only one way to get good color. You can't shoot blind. You need
an ICC profile of the color space you're headed to and a proof before
you print that is accurate to the final product.
Aside from that I can color correct images by numbers on a b&w monitor
and get very good results by just reading numbers.
But if you want the good color, you have to have the stuff and do the
work. It's as easy as ABCD. |
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Allen Wessels Guest
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Posted: Wed Jun 13, 2007 10:54 am Post subject: Re: Best Monitor Calibration Tool |
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In article <1hzk4kn.1hp2f8l1p42kzmN%leeb@digitalgraphics.net>,
leeb@digitalgraphics.net (Lee Blevins) wrote:
| Quote: |
I've never used one that worked. But my last experience was many years
ago.
For the device to work you'd have to replicate the surround that was
used when the scientists decided it worked.
Unfortunatley, they usually don't explain that in the documentation.
Today the monitors are so well made that you can download an icc profile
from the manufacturers and plug that in with a basic calibration and be
very good.
For me, I've been color correcting (dot etching) since before there were
macintoshes, scitexes and all the fun stuff we have now.
I've seen so many hairbrained schemes that a device will allow someone
who doesn't have a good eye/feel for color to make good color.
What one needs much more than the elusive "monitor that matches" is a
fundamental understanding of color reproduction and electronic imaging.
Here's are some things to ponder:
A) You're displaying a duotone made of an orange and yellow
PMS color. How accurate do you think it can be?
B) You're looking at a page in Indesign that has images from a wide
variety of color spaces -How well is that mapping working?
C) Do you even have a 5K viewer and proper environment where your
monitor is to compare a proof to your screen?
D) Where are you getting this proof that you think is worth comparing
to and how was it made?
There is only one way to get good color. You can't shoot blind. You need
an ICC profile of the color space you're headed to and a proof before
you print that is accurate to the final product.
Aside from that I can color correct images by numbers on a b&w monitor
and get very good results by just reading numbers.
But if you want the good color, you have to have the stuff and do the
work. It's as easy as ABCD.
|
Calibration is different than color matching. Calibration tries to
ensure that what you saw yesterday is what you see today. Profiling and
using color management to match another device is something else.
I think most of the calibrators work today. The question is whether you
just need calibration or you want to get fancior.
That being said, I've seen lots of shops use old washed out CRTs get
very good color matches *because* the displays have aged and their
gamuts narrowed.
- Allen |
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Guest
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Posted: Wed Jun 13, 2007 7:28 pm Post subject: Re: Best Monitor Calibration Tool |
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fleem...@comcast.net schrieb:
| Quote: |
I just picked up a 23" Apple Cinema display and am considering getting
a monitor calibration tool. Any suggestions on what the best choices
are these days? Is the Spyder2 a good choice?
Thanks.
-Fleemo
|
Please have a look here:
http://www.adobeforums.com/cgi-bin/webx/.3bc3a175
Many people adjust the monitor for 6500K, Gamma=2.2 and
L=100cd/m2 (though a TFT can be much brighter).
The surround light, looking to the left, above and to the right
of the monitor should be 50 lux. Walls and furniture should
be white or neutrally gray.
Best regards --Gernot Hoffmann |
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Papa Joe Guest
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Posted: Fri Jun 15, 2007 6:29 am Post subject: Re: Best Monitor Calibration Tool |
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On 2007-06-11 17:11:52 -0300, fleemo17@comcast.net said:
| Quote: |
I just picked up a 23" Apple Cinema display and am considering getting
a monitor calibration tool. Any suggestions on what the best choices
are these days? Is the Spyder2 a good choice?
Thanks.
-Fleemo
|
Considering Apple's monitors can only reach about 70 percent adobe RGB
...why bother
:) j/k
--
Welcome to Papa Joe's |
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Guest
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Posted: Tue Jun 19, 2007 12:22 am Post subject: Re: Best Monitor Calibration Tool |
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I like the Monaco OPTIX XR Pro because it has a feedback process that
gives you the delta E for several colors ( you can customize it as
well). Any device that doesn't give you the final delta E isn't worth
buying. What good is it to calibrate and profile if you don't know if
it matches anything?
Your new monitor won't be able to show enough yellow (delta E 12),
green and orange and overall delta E will be about 3.0. Our proofers
are .9 to 1.1 overall delta E - that's just for reference.
Eizo ColorEdge is the way to go if you are serious about color. If you
do it correctly you would never have to buy another proof. Stick that
into your ROI calculator and you'll see the 3,000 dollar solution is
really quite inexpensive.
If you plan to compare printed output with a monitor there is a ton of
work ahead of you. |
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